XY?+ - Logic System - Logic (Vinyl, LP, Album) download full album zip cd mp3 vinyl flac
In June the following year at age 19, he made his first step into professional music as an apprentice to Isao Tomitaproviding him the chance of operating one of the LP Moog III-P synthesizer units in Japan. In he participated in the production of Ryuichi Sakamoto's first album, Thousand Knives.
In the years toMatsutake served Yellow Magic Orchestra as its sound programmer, eventually to become known as the "fourth member" of the band. He also led sequencing work for numerous technopop albums by other artists, XY?+ - Logic System - Logic (Vinyl, especially at the beginning of the 80s.
InMatsutake Album) "Logic System" with Makoto Irie, with whom he toured to perform in other Asian countries several times. The unit has released 10 albums to date, two out of them released in eight countries. Its latest album is Tansu Matrixreleased in From Wikipedia, the free encyclopedia. This article has multiple issues. Please help improve it or discuss these issues on the talk page. Learn how and when to remove these template messages.
Recorded in Los Angeles at the new state of the art Yamaha Studio, it was loosely themed on the Greek goddess Venus and had a funkier more organic sound. For the album Matsutake had asked a handful of American musicians to provide songs he would then add his synth magic touch to.
The result is an amazing futuristic mix of electronic music and early 80s funk, announcing many genres to come, from techno and house to French electro and Vaporwave. From the breezy ambient synth of "I Love You" to the city pop edge of "Be Yourself" originally written by Nathan East for Debra Laws and the vocoder-led Daft Punk-ish "Take A Chance", Venus is a fascinating album that both pushes the boundaries of electronic music and is yet strangely accessible and beautiful.
The other key elements of Venus is the artwork designed by Japanese legendary illustrator Pater Sato. Sato had started in Japan in the early 70s doing many album covers for Japanese artists including Tatsuro Yamashita's cult Spacy LP before moving to New York in to pursue a career in fashion and advertising. Harman Kardon LP an SQ decoder that could change the separation so it was as low between the front channels as the separation between front and rear channel.
One example is the live album Lotus by Santana. SQ is compatible with two-channel stereo, but there are some problems.
The front channels are totally compatible, the rear channels have a smaller width. But the great problems are the sounds between front and rear. They will turn to the left and the middle point of the room goes only to the left speaker in 2-channel stereo. The four channels were encoded and decoded normally in this proposal, but the back- center channel was coded in phase and therefore decoded in front-center. This system made good sense, as, in the absence of a quad decoder, SQ-encoded records would play almost as normal stereo records, and CBS stated their desire to maintain excellent compatibility between their SQ-encoded records and standard stereo systems, but in practice, there were compatibility problems: When played on two-channel stereo equipment, the front channels sound like ordinary two-channel stereo channels; the rear channels are narrower than the front channels.
A problem occurs with the sounds placed in the center rear. The point directly behind the Album) is out of phase in stereo playback, causing it to disappear in one-channel mono listening. The SQ record track is broader than a conventional stereo track, so the maximum playing time is lower than a conventional stereo record. These records were encoded with the SQ system. But these quadraphonic tapes were made in discrete four channel stereo.
That gave the whole CBS Quadraphonic project a higher status. It was a hierarchical discrete matrix that used the SQ matrix as the baseband for discrete quadraphonic FM broadcasts using additional difference signals called "T" and "Q". CBS argued that the SQ system should be selected as the standard for quadraphonic FM because, in FCC listening tests of the various four channel broadcast proposals, the SQ system, decoded with a CBS Paramatrix decoder, outperformed without logic as well as all other with logic systems tested, approaching the performance of a discrete master tape within a very slight margin.
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