Grand Staircase - Jonathan Zorn - ContraBass (CD, Album) download full album zip cd mp3 vinyl flac
I write in moments, in disparate sound blocks, so I find it convenient to store these events on filing cards so they can be sorted and ordered with minimum effort. Pacing is essential. If you move too fast, people tend to stop hearing the individual moments as complete in themselves and more as elements of a sort of cloud effect I worked 10 to 12 hours a day for a week, just orchestrating these file cards.
It was an intense process. Zorn's file-card method of organizing sound blocks into an overall structure largely depended on the musicians he chose, the way they interpreted what was written on the file cards, and their relationship with Zorn.
I have to be there with them, and that's why I started playing saxophone, so that I could meet musicians. I still feel that I have to earn a player's trust before they can play my music. At the end of the day, I want players to say: this was fun—it was a lot of fucking work, and it's one of the hardest things I've ever done, but it was worth the effort.
Two other critically acclaimed releases on Nonesuch followed; Spy vs Spy inand Naked City inbefore Zorn broke with the label. Beginning inZorn participated in several projects focused on the compositions of modern jazz musicians which highlighted his unique saxophone style including Voodoo by the Sonny Clark Memorial Quartet, and Spy vs Spy featuring hardcore punk -informed interpretations of Ornette Coleman 's music with Tim Berne. Zorn stated that "After my record The Big Gundown came out I was convinced that a lot of soundtrack work was going to be coming my way".
The film was finally released in as Trespass featuring a score by Ry Cooder. Zorn regained the rights to these recordings by trading a booking at the Knitting Factory to Sony executives. Zorn often used his film work to introduce new groups or experiment with new compositional methods; Filmworks — featured a sixty-four second interpretation of the theme from The Good, the Bad and the Ugly which links his Morricone tribute to the musicians who would become Naked City ;  Filmworks III: — featured the first recordings by the Masada lineup produced for Joe Chappelle 's independent feature Thieves Quartet ;  Filmworks XI: Secret Lives featured the Masada String Trio ;  and Filmworks XXII: The Last Supper highlighted Zorn's growing interest in composing for vocal groups.
From the mids, Zorn composed film music only for projects which he found personally interesting or of artistic merit. Inafter releasing 25 volumes in his Filmworks Series, Zorn announced that he would no longer be releasing music for film. Zorn established his band, Naked Cityin as a "compositional workshop" to test the limitations of a rock band format. Named after a book of graphic black and Grand Staircase - Jonathan Zorn - ContraBass (CD photographs by Weegeethe band performed an aggressive mix of " soundtrack themes, bluesy hard bopspeedy hardcore rock, squealing free jazz [and] metallic funk ".
My interest in hard-core also spurred the urge to write shorter and shorter pieces. A second live album, Talisman: Live in Nagoyawas released in and the band was featured on Zorn's 50th Birthday Celebration Volume 12 with Hamid Drake replacing Harris on drums and guest vocalist Mike Patton.
Zorn continued his interest in hardcore improvisations with the release of Hemophiliac inwith Mike Patton and Ikue Mori. John Zorn has established a diverse repertoire of music written for chamber music and orchestral settings. As Zorn's interest in Naked City waned, he "started hearing classical music in [his] head again.
Elegya suite dedicated to Jean Genetwas released in The establishment of Tzadik allowed him to release many compositions which he had been written over the previous two decades for classical ensembles. Zorn's earliest released classical composition, Christabel for five flutes, first appeared on Angelus Novus in Several of Zorn's later concert works drew inspiration from mysticism and the works of Aleister Crowley in particular; Magick featured a group called the Crowley Quartet.
The music is sensational and evocative, but never arbitrary; you always sense a guiding hand behind the mayhem". The experience of composing Kristallnacht prompted Zorn to explore his Jewish heritage and examine methods of composing using the Phrygian dominant scale. Zorn explained:. The project for Masada was to create something positive in the Jewish tradition something that maybe takes the idea of Jewish music into the 21st century the way jazz developed from the teens and s into the '40s, the '50s, the '60s and on My initial idea was to write a hundred tunes.
And then I ended up writing over for the first book and then performed it countless time for years. The initial fruits of this compositional approach were ten albums by Masada appearing on the Japanese DIW label from The original Masada albums were named after the first ten letters of the Hebrew alphabet and contained compositions with Hebrew titles.
InZorn released Bar Kokhba featuring Masada compositions recorded by a rotating group of musicians. InZorn began composing the second Masada Book, The Book of Angelsresulting in an additional compositions.
After 10 years of performing the first book, I thought "Maybe it'd be nice to write some more tunes. When I started writing those it was "Let's see if I can write a hundred songs in a month this time. In the back of my head somewhere are lodged all kinds of new ideas. Let's see Album) I can come up with tunes in a month instead of in a year. So in the first month, I popped out a hundred tunes; the second month, another hundred; in the third month, a third tunes.
Unknown Masada. Locus Solus: 50th Birthday Celebration. Masada Anniversary Edition, Vol. Sanhedrin: [Unreleased Studio Recordings]. Azazel - Book of Angels, Vol.
Six Litanies for Heliogabalus. From Silence to Sorcery. The Dreamers. Art of Memory II. Fred Records. The Crucible. Alhambra Love Songs. Stolas: The Book of Angels, Vol. In Search of the Miraculous. Late Works. The Goddess: Music for the Ancient of Days. John Zorn: Interzone. John Zorn: What Thou Wilt. Astronome: A Night at the Opera. A Dreamers Christmas. Nova Express. At Album) Gates of Paradise.
Mount Analogue. The Gnostic Preludes: Music of Splendor. Templars: In Sacred Blood. The Hermetic Organ. Abraxas: The Book of Angels, Vol. John Zorn: Rimbaud. A Vision in Blakelight. John Zorn: Music and Its Double. The Concealed. John Zorn: The Mysteries. The Hermetic Organ, Vol. In the Hall of Mirrors. Sonic Rivers. Adramelech: The Book of Angels, Vol. On Leaves of Grass. Transmigration of the Magus.
The Song Project. The Last Judgment. The Alchemist. The Testament of Solomon. Paul's Hall, Huddersfield. John Zorn's Olympiad, Vol. John Zorn: Hen to Pan, Album).
Pellucidar: A Dreamers Fantabula. The True Discoveries of Witches and Demons. As a gentleman, Jonathan is also kind and positive. Jonathan has a mindset where he tries to imagine the consequences his actions would have on other people, even if they appear to be enemies.
Despite his skill in fighting, he will never seriously harm a person without a valid reason. Even after everything Dio has done, Jonathan still considers him his brother, and sheds tears for him. During his life, Jonathan has always had an impulse to save others, beginning with Erina, and ending with his thought of a nearby baby just as he was agonizing from Dio's attack. Yet Jonathan can feel righteous fury at the evilness of his foes, and will conduct justice by vanquishing them.
He admitted that his reason for fighting Dio wasn't out of duty for saving the world, but to avenge his loved ones that Dio had killed. Fascinated with the Stone MaskJonathan tried to study it and even took on the path of archeology. Jonathan had lived a rough past as the son of an aristocrat, and was known in his childhood to have been at least a competent boxer. In his college life, he played Rugby alongside Dio Brandoand was revered as one of Album) two stars of Hugh Hudson Academy.
Even prior to learning the RippleJonathan was able to hold his own against three thugs, Speedwagon among them, with sheer might and willpower. He was capable of wielding various weaponry held by the suits of armor in the Joestar Mansion. He had also performed incredible feats of strength, such as jumping from the hilt of a sword and hoisting himself up to the second floor while doing a flip over the guardrails, despite his arm being inhibited by a spear pierced into his pectorals.
Perhaps his greatest display of strength was after being revitalized and empowered by Zeppeli 's Ultimate Deep Pass Overdrive, where he ripped through 3 steel bars clutching his neck, a feat that even the mighty zombie Tarkus outright admitted he was incapable of. Jonathan is shown to be an intelligent person and a very competent thinker during battles, constantly coming up with new strategies mid-combat to defeat foes such as Bruford and Dio.
Academically, Jonathan graduated from university after having written a celebrated thesis in archaeology.
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